冲动
芭儿·帕丽,亚历克西斯·克纳普,皮尔斯·布鲁斯南,阿什丽·格林尼,贾斯汀·查特文,丹尼·马斯特森,艾莉森·洛曼,克里斯·吉尔,詹姆斯·德贝罗,尼克·图恩,欧嘉·梅雷迪斯
一个花花公子搬到海滨别墅撰写犯罪报道,在那儿他遇上一个女孩并与她坠入爱河。女孩对这段感情非常认真,但男人只把它当做逢场作戏。女孩有一个姐姐,她时常与其分享她的感情。然而她并不知道,她的男友与姐姐也在交往。在一次撞见他们上床交欢后,女孩彻底疯了,决定伺机报复。
▶ 立即观看罗伯特泽米基斯
让-皮埃尔.梅尔维尔
西德尼·吕美特
卓别林
胡玫
希区柯克
处死朱由桦的当天,朱由桦离奇失踪,梅儿和兰心都因此受到责罚。兰心不顾太子反对,执意要将朱由桦送还给三皇子,却发现马车上的孩子竟然不翼而飞。兰心和太子感情出现嫌隙,梅儿和金碧瑶使出浑身解数争得太子宠爱。太子和万历等人到郊外狩猎,有人暗杀太子,梅儿为太子挡下一箭,生命垂危,太子深受感动,认为欠梅儿太多。上官鸿业调查太子行刺事件,却发现幕后的真凶并不是众人猜想的三皇子,而是梅儿。梅儿册封当天,郑贵妃揭出了梅儿乃娼妓之女的秘密,让梅儿不能受封。郑贵妃趁势发动自己的亲信弹劾上官鸿业,兰心救父心切,却误会太子,两人再次不欢而散。失踪多日的朱由桦突然出现在兰心房中,将朱由桦放入篮子中带入宫去,却被梅儿换成了旋儿,兰心带“朱由桦,”进宫,巧遇为上官鸿业来求情的太子,太子再次产生了误会。在王恭妃和郑贵妃的逼迫下,太子提剑杀死了璇儿 ,等知道时璇儿已经没有了呼吸。兰心伤心欲绝。兰心带幸存的朱由桦离去,太子策马追去,却寻不见踪影了。皇上以太子妃一位不可久缺为由,册封大学士王中泽之女王氏为太子妃。
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
胡家庄年味渐淡,寒暑异常,舞狮少年罗川跳脱飞扬,异想天开,梦想把舞狮技艺发扬光大,却常常弄巧成拙,所到之处鸡飞狗跳,被村民视为“扫把星”,是村长胡长礼眼中的“危险分子”。年兽小五意外降临人间,大闹村庄,勾走了传家宝——狮头。罗川为找回狮头,和下凡捉年兽的鼠仙阿细相识,两人逐渐发现年兽并不可怕,可以和人类做朋友,但胡长礼爱村心切,被噬灵妖蛊惑,遁入疯魔,制造了一场针对年兽的阴谋,最终罗川和阿细联合村民,打败了噬灵妖,唤醒了胡长礼,胡家庄重归热闹,众人欢欢喜喜迎接春节到来。